An interactive sound experience by Maya Chowdhry. Part of MA Show 2023, School of Digital Arts (SODA) Manchester Metropolitan University
Fathoming Fungal Frequencies seeks to uncover the existence of a shared language between human and fungi; giving a voice and making visible the mycelium network from which it fruits. By utilising interactive biodata sonification, which requires this inter-being collaboration, the piece hopes to connect human to more-than-human. →
Sound mapping has been used extensively by environmental sound artists to map soundscapes relating to ecology. Because of my interest in water politics and climate justice and, after reading this question by Westerkamp (2002:56) ‘Can soundscape composition initiate ecological change?’ →
For this interactive sound Installation I wanted to make visible the transformation of Salfords waterways, particularly in relation to climate change. I took as a starting point the paintings hung in the Victorian Gallery at the museum that featured these waterways, and then made a series of field recordings, and imagined soundscapes, in the specific locations, for example Blackfrairs Bridge. →
Galvanising Change is an experiential audio Installation examining climate change, for one audience member at a time. It uses a wearable sensor to measure their galvanic skin responses whilst they are listening to climate justice stories – which are triggered according to the audience’s emotions. →
A participatory art project exploring water. Part of ‘Etruria Boat Gathering’ on 10th and 11th July 2021
The Story Trail will be available until the 31st of July 2021. Location details are on the Etruria Canals Festival website →
My poem ‘My Eyes’ is in the anthology – Places of Poetry : Mapping the Nation in Verse, →
Set in an imagined future What’s Eating Our Reality is a three course meal with a difference. This intimate show explores the journey your food has taken from seed to field to table illuminating issues of food justice. Host Maya Chowdhry orchestrates the ritual of dining and uses media art to gently immerse the audience in a new reality, one in which the food they love may be in short supply. →
A research and development project investigating the use of augmented reality to produce an immersive live experience. Building on and developing my work created via Divergency, through investigations with technologists, live artists and potential audiences to create a show that capitalises on the best aspects of performance and technology. →
Transmedia story produced as part of ‘Continent Chop Chop’ by Virtual Migrants, a story told through poetry, music and digital-media connecting legacies of inequality to climate change.
Using invisible theatre, and conveying the story of Ethical People Movement across web, twitter, YouTube and Bandcamp, this story explores ‘white-saviour complex’ and asks the audience to look beyond the issues of climate justice, refugees and austerity into their complex connectivity. →
In collaboration with artist and poet Sarah Hymas, a Triptych of freestanding oversized artist books that use augmented reality, organic objects and poetic text to explore climate change. The Installation consists of interactive poetic sculptures that use augmented reality to illuminate anthropogenic climate change. Shortlisted for the 2015 Dot Award. →